This page contains answers to commonly asked questions as well as some tips to help you succeed in our business.

Q. How do I get started?

First things first, you need to submit! We accept submissions through e-mail, drop-ins and we accept submissions via mail. It is not mandatory that you have professional pictures or any experience to apply to our agency. We are always looking for fresh talent to represent all our divisions, please follow all our submission guidelines to apply.

Q. What kind of time commitment is involved?

In this business flexibility and availability are nearly as important as talent. For our candidates, this means being able to drop everything to make a last minute audition or booking. Most of our jobs are confirmed only 24-48 hours in advance and for fashion shows we usually get around 2 weeks time frame to select our models.There is no way to measure how much time you will need to devote, but your ability to be accommodating will be key!

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Q. Does the agency pay for pictures?

No. Our talent is responsible for paying for their pictures. However, we will supply a list of highly reputable photographers that we recommend you work with.

Q. Why do I need to submit my measurements?

Measurements are critical to this business; for our adult, babies and children, it could mean the difference between working frequently and not working at all. Aside from this, we ask you to include measurements in order to be considered for our fit modeling division.

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Q. Will I receive confirmation that the agency received my submission?

Yes. You will receive an email response. After this point, you will be called in to meet with our modeling coordinator and confirm your payment and registration which is a refundable deposit only after 12 months of registration that Xquisite collects as retainer.

Q. Does your agency provide talent for parties or events?

Most talented actors, singers,musicians standup. We have an overwhelming amount of both child and adult talent that would be perfect for any theme event large or small! So, if your are looking for something special for your next party or if you have a unique quality to offer this division, please email staff@xquisitemodels.com for more specific information! This is an exciting new venture for us; we hope you'll think of us when planning your next big event!

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Q. What does Xquisite earn from Modeling?

Xquisite earns its living from commission earned on work. We charge a fixed percentage of 15% of the fee quoted to the model for the job. We do not make administration charges to models for any reason nor do we add any handling charges to services we arrange on behalf of models, such as couriers and test-shoots. It is that simple - if we find work for models, we earn a living;

Q. What Is The First Step To Start Modeling?

Not all beautiful people make excellent models and excellent models are not necessarily beautiful people. If you are interested in becoming a model, please send or email photos to us., so long as you include a clear head and body shot.

Q. Do I have to pay any kind of fee to submit my photos or even apply as a model ?

No. We would love to see what you have to offer without any charge, upon acceptance of your portfolio or an interest from our clients, you would be contacted for registration.

Q. If an agency really likes me, they would pay for everything and other myths..

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That is not true in any case.. All Modeling agencies have a hidden fee structure, they would charge you upfront of deduct it from the payment received from clients. Since we discuss in advance what the clients are paying and no hidden costs are associated when representing you. You may wish to confirm all information with our clients.

Q. Can you guarantee me a jobs ?

No one would risk doing that, in this industry there are no guarantees, just hard work and talent. Our success rate for registered members are 95%. That would be mean 9 out of 10 people would get a placement with our clients or receive an assignment.

Q. Do you represent child models, petite models and plus size models ?

Yes, we represent child models from toddlers to pre-teen as well as petite models and plus size models.

Q. Do you represent parts models ?

Yes, we do not represent parts models. (Parts models model hands, feet, legs and other body parts.)

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Do's and Don't When Modelling

Finding an Agency:

Don't sign with an agency until you have looked around. And Don't sign with an agency just so you can be a model.
Don't go alone if it looks unprofessional (in fact don't go at all).
Don't hand any money over. An agent should never ask for money to represent you. Your agent gets paid when they get you jobs period! There should be no cost to you up front, if there is start looking elsewhere.
Don't use agencies that advertise in the backs of magazines or newspapers
Don't over do the make-up or clothes and be yourself. You never get a second chance to make a first impression so make the first one a lasting one (and I don't mean going in stinking of fish).
Don't sign a contract until you understand the terms, and are happy with their terms. You might want to get a solicitor to look over it before you put your signature to it.
Do leave immediately if they ask you to strip or if you feel uncomfortable
Do ask for examples of their work and referrals of clients and models so that you can ask about them.
Do ask to see some work samples or tear sheets of the photographers used by the agency.
Do ask how much their percentage is. They shouldn't get more than 20 to 25 percent of your payment.
Do listen up and ask questions if you don't understand.
What do agencies do?

1. They find new faces.
2. They advise and train their models.
3. They promote their models and manage their careers.
4. They schedule and book their models.
5. They bill clients and collect fees.

Don't sign up with them if they say:

"We can guarantee you work."
"As soon as you have trained, you'll be working."
"Our classes are completely full but there is one opening. If you sign up right away we can fit you in."
"You are exactly what we're looking for."
"We'll have you working immediately."

Starting out:

Don't get a portfolio done before you get an agent, most of the time this is a waist of money. Most agencies just want to see snapshots of you first to see how you naturally photograph. After you find an agent discuss your portfolio development with them
Don't pay a lot of money for modelling lessons. The agency should train you if they sign you up.
Don't Send only comp cards, duplicate photo's, or headshots, and don't expect to get them returned to you.
Do take some photos. Make sure they are in focus and show both face and full-body shots. And don't overlook some of your best features.
Do practice, walking tall, walking in stilettos, posing. This will make it easier when you go to audition
Do gather as much information as you can, speak with experienced models, talk with reputable agents, read books and magazines
Once you become a model
Don't bitch. If you haven't got anything good to say about someone don't say anything.
Don't smoke. If you do smoke try giving up.
Do get plenty of rest. Modelling is hard work and you are often on your feet all day. Try and have at least 7 hours sleep each night.
Do keep fit. Do aerobics, try yoga or go swimming. It is important that you look after your body.
Do keep your skin looking healthy. Drink plenty of water.

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I WANT TO BE A MODEL:

There are several types of modelling and acting agencies each of which represents various types of models or actors. Each agency has an image it tries to project and maintain. Every model represented by the agency is an extension of its own image.

Some agencies do not represent all ages and sizes, it is important, therefore, to know which agencies to write to and why.

Just because a specific agency is considered to be the best for other people, this does not necessarily mean that it is going to be the best agency for you. Search until you find the best for your particular requirements

A little research can save you a lot of time and money. The key ingredient in choosing an agent or agency is the excitement factor. Get advice from other actors, models, teachers, and other industry people who can help you choose the right agency. To start, you want a small-to-mid sized agency that is excited about you and will work for you. The agency you sign with shouldn't have too many actors or models to represent. If you come across an agent who works alone and claims they are a commercial and theatrical and voice-over and modelling agent, avoid signing unless you want your career to go down the pan. It is hard for one individual to handle more than one category. Remember you should never join an agency over the phone, always go and meet the agent. So from your agency you should expect, Honesty, Protection, Career Guidance, Promotion, Professional and courteous service. Always check and make sure that the agency is working within the DTI guidelines that they pay within 10 days of receipt of any monies, that they receive on your behalf, and that all monies are kept in a separate client account. Never pay an agency-joining fee. If you still not sure about the agent ring the DTI and ask if they have any problems with that agency, you will find there number in your local yellow Pages www.yell.com or Thompson Local www.tompsonlocal.co.uk

You should not expect from your agent: Advances in pay: Services as a Psychologist, Mother, Father, etc., Or Rides anywhere.

NEVER:
NEVER!! Send any agency a registration fee to join them!

Accredited agencies will never ask for a registration fee: this is not legal, and goes against the DTI agency legislation, which all agencies in the UK should adhere to. Agencies that do ask for this fee, should be reported to the DTI. (Department of trade and Industry)

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Questions about you:

What is your image? What kind of model or actor could you be? Are you a model or an actor? Are you petite or full figure? Do you have great hands, feet or legs? Do you have any special talents? Are you an Actor?

Once you have completed your research, call and make contact. Follow the step-by-step instructions given over the phone about the agencies procedures.

@ YOUR INTERVIEW:

On the day of the interview, ask questions. Just as the agencies will ask you questions, you, too, must find out as much information as you can. You and your agent should agree on your career strategy. Here are some basic questions to ask:

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INTERVIEW Questions:

How would you market me?

Will you going to promote me in the UK or internationally?

Do you think I need to change my hairstyle, lose weight, etc?

Do you handle Photographic Modelling, Catwalk, TV Commercials, Voice-overs, Television Drama, Films, Feature Work or Background etc?

How much money will I have to invest immediately and in the long term?

If they ask for monies up front, ask what for it's for?

If it's for a book ask to see their last book, if it's for photographs ask who owns the Negatives. Also look at what other Actor/Models have done. If you're still not sure ask to see the working diary see how much business the agency is doing.

How much commission do you take?

How do I get paid?

i.e.: BACS (Bank Automated Credit System) or Cheque.

What are the rates?

i.e.: do you work to the union agreements Remember agencies which do deals do not stay in business very long, if you think how low some fees are already, going lower will only be losing the agency money. For every 10 people they ask to do the job, 9 will turn them down! This soon becomes very expensive, and doing this will normally cost the agency more than they can earn in commission.

Do you require exclusive or non-exclusive contracts?

What are the terms on the contract?

How long is the contract term?

Your agent will expect from you:

Your pictures, book, and CV, need to be kept updated;

The agency needs to be informed of your current address and phone numbers;

You should have an answering machine and mobile phone:

Your skills on your CV must be honed;

You must be on time for everything; and always show up for auditions. Or ring if you are going to be few minutes late.

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Finding Photographers:

The typical neighbourhood photographer, hired to put together a portfolio, is not normally in touch with the fashion marketplace, regardless of how good their pictures look. The photographers working in the modelling and acting industry know exactly what clients are looking for and how to work with models to produce the best results.

Most agencies begin by taking a test shot. This is a simple, professional photograph, taken to see how photogenic you are. The whole idea is to capture you at your best. The model/photographer relationship is crucial in producing the best result. At most agencies you may be photographed by more than one photographer, depending upon the results of the test shots, and the client for whom you will be modelling.

Agencies can provide you with professional photographers at your request, or you can find your own. Here are some questions you need to ask before you shoot with them:

Questions for Photographers:

What is the price for the session?

Are you shooting colour or black and white?

Are you shooting in slide (transparency), negative, and/ or Digital?

What is the price per 36 -exposure, colour/B&W roll?

Does this price include contact sheet / any 8 x10 prints /CD of prints?

What is the price for each 8x10 / 9x12.5 glossy, colour / B&W print?

Does this price include make-up artist and hairstylist?

If not, what is the price per hour for such services?

Are you shooting in the studio or on location, or both?

Is there an extra charge for going on location?

Who owns the negatives or slides?

It's normal for the photographers in the UK to retain the right of ownership of your negatives.

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WHAT DO I NEED:

You will need as much information as possible to be able to choose your photographer and, to determine the best way to fill your photographic needs within your budget. Remember, it takes about a year for a model to learn how to pose photographically; to present an experienced looking book. After that, new photos and your Z Cards should be updated periodically. You should work closely with your agency to ensure that your look is up to date.

The advantage of shooting with different photographers is that you receive greater exposure as professional, and new opportunities to build a working rapport with other professionals in the business. After seeing how good you look and how well you move and work, photographers are sometimes in a position to recommend you for jobs.

The photographs in your portfolio must be a small selection showing you off to your best advantage.

A complete portfolio should consist of 11 to 20 shots, but in the beginning you should strive for the basic shots listed below. The others will evolve naturally in a direction that complements your particular style.

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PICTURES FOR YOUR BOOK:

Casual head shoulders shot (natural looking hair)

Full-length evening Dress, or Dinner Jacket

Sporty look, full length

Business Suite, Full Length & Head Shot

Swimsuit, and or body shots, T-shirt and shorts, full length

Shot in formal evening wear, & sports attire,

A coat pose, three-quarter length.

Casual Club Clothes, three quarter.

A three-quarter shot demonstrating a product

A well-styled head shot with accessories and perfectly groomed make-up and hair,

Authentic sports clothes action shot, full length

A modern dress shot, full length.

The model's portfolio speaks for the model. With the right portfolio, a good opportunity can turn into an extraordinary opportunity. And remember that models that work with good photographers naturally acquire fabulous pictures.

The pictures must look like you! Not how you think you should look! Nor what the photographer thinks you should look like, nor with lots of make-up, multiple lights and colours, and a fan blowing your hair! Your photographs are your business calling card and no actor/model can be without them. You will need to present them in two basic forms:

The normal size of photographs in a large portfolio is 9x12, although the 8x10 size is somewhat easier to carry around. Remember, professional book photographs should be enclosed in plastic pages. You will also need to carry some Z cards, Do not carry anything else in your book. It is a good idea to keep an extra copy of the photographs at home in case your book is lost, misplaced or stolen.

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YOUR Z CARD:

The z card and is your calling card, and your business card, all in one. It is mailed out to clients and eft behind by you at auditions. This mini-brochure displays two photos or more of the model and lists your name, vital statistics, and contact agency information.

Photos chosen from a model's paid work, such as ads or fashion, and editorials, are especially impressive for the Z card.

Z cards should be made annually to reflect your updated work and look. The cost varies with black/white or colour and with quantity needed. With price is generally worked out on the cost of 500 or 1000 z cards.

Slip a few of these in the back of your portfolio. You never know when a potential client will need one.

All agencies produce Model Books, which are an excellent way of showing off their models all round the world. The books are generally produced once a year and only the top models are normally chosen to be in them. The cost of the book varies with black/white or colour and quantity they produce.

New models can also be presented on a Head Sheet; this is a poster-sized sheet with small headshots of each new model. These head sheets are compiled every three/six months, with the cost varying with black/white or colour and quantity produced. The Head Sheet is sent to photographers and all potential clients to introduce new models.

Unless you have an agent you won't be included in a Model Book or on a Head Sheet. You can still effectively market yourself with z cards. These, too, can be sent to clients all around the world. And also feel free to send them to professional photographers with whom you would like to work.he words to remember here is "Motivation and positive planning". Go after the clients; be selective about the agencies and photographers you want. You can do it! All you need to do is to try.

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AUDITIONS:

An Audition is simply an appointment arranged by the agency the model/actor. It is an opportunity for the model/actor to cast with clients, such as Photographers, editors, art directors, casting directors, catalogue houses, and producers who make TV commercials and Film.

An active model/actor may spend an entire day going from one audition to another. Some agencies provide models with forms telling the name of the Agency/production Company, or cast director to see, and the time of appointment and type of job. Be as organized, as your agent! Provide the same information for yourself. When you have assignments typed neatly on a sheet of paper, you'll feel like a professional right from the start.

In the beginning, these castings may cause a certain amount of tension, but they become easier as you gain confidence and more experience.

Have a good map and/of up-to-date A-Z of the areas were you wish to work and Audition (i.e. London A-Z)

Always be on time. For the castings, call the casting studio if you're going to be late.

Wear clean conservative clothing; not too dressy, not too casual or ask the your agency in advance about your wardrobe.

Make sure you know about dress requirements for the audition.Easy on the make-up.

Bring a book to read; you may have to wait minutes, even hours, so be patient.

If you have another casting to go to, tell the receptionist very politely. They may be able to schedule your audition a bit sooner.

When you sit down for the casting, do not immediately hand over your portfolio unless you're asked to so. Always Let the casting director take the lead.

If the casting director leaves the room, do not stand impatiently or wander around.

Your audition begins the moment you enter the room.

You may be asked to show your hands both sides to camera.

When asked for your profile turn to the left and face the wall, then, when asked, turn right and acethe wall. Remember to lift your hair from the side of your face so they can get a clear look at your profile

Always be ready to reverse roles.

Don't end an audition with a freeze frame, unless your asked.

Never direct the other actors or models, even if their performance is awful.

Try to identify by name the individuals, casting directors, directors, producers, and assistants, etc.

Ask for the correct address, if possible directions, and parking specifics as well as building or studio access regulations or instructions keep good and up to date maps of the areas where you audition and work

After the audition, write down the names of the people who saw you, and add it to your files for uture reference. Remember: when you arrive give yourself a few minutes to sort yourself out. Relax and take your time, this is your time, when you enter the casting: if you weren't right for the job the casting director would have never invited you to audition. You may know and see other people at the casting: never be nervous of this, they could be up for other roles, and everyone stands an equal chance of getting the job at a casting. So be confident that the job is yours. The casting can last thirty seconds or thirty minutes. You should not take the directors comments personally. Meet the casting director politely, and when you feel the casting has come to an end, smile graciously, say "thank you" and leave the room. If the Casting Director asks for your z card/photo and CV, leave one.

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YOUR CV:

When you submit your photograph to a client or agency, it is helpful to submit your resume at the same time. Here are suggestions of what it should contain:

Your Name

Agency (if any)

Address and phone (or)

(If you don't have an agent or manager)

height, bust/chest, waist, hips, dress, inside-leg, collar, suite size, hat, shoe size, Hair, and eye colour.Training: Include your formal education, courses you have taken in modelling, Drama Schools, training, dance, etc.

Yours Experience: television, Film, commercials, etc.

Your Special talents,

Theatre, Fashion Shows, Hair Shows,

CV DON'TS:

Don't lie about anything! It will always come back to haunt you.

Never put "extra work or WO Commercials".

Don't put the dates of productions next to the credits.

It is not necessary to list an actor's specific roles on TV and films.

Don't list an age range.

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CV presentation:

Have your printer cut your CV to measure 8x10 to fit with your headshot, or z card. Always put your name on the back of any pictures (LIGHTLY).

Attach your CV to your photograph.

If you are freelancing, or you are working without an agent, be sure to include your contact information on the CV.

(Girls beware! do not put your phone numbers on the back of your photographs)

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Questions and Answers:

Why must a model be so tall?

A model must fit into a designer's sample-sized clothing; also, today's fashions generally look best on taller people.

When should I get my portfolio?

It depends on whether or not you decide to work with an agency or on your own. If you work with an agency, do not get a portfolio done right away. They will want to have one done in their own way.

Should I move to London to pursue a career in modelling?

Absolutely not! London is glamorous, but there are opportunities all over the country.

Should I quit my job to become a professional model?

Absolutely not! For most people in most cities, modelling is a part-time job. Before you can even consider modelling as a full-time career, it will usually take six months to a year to get enough experience.

How long can my career, in modelling last?

Under the best of circumstances, it can last as long as you want it to.

How can I tell if I have what it takes to become a model?

You can read the fashion magazines and compare yourself to the models you find there. If you have the right look, you can probably model. After all, modelling is a result of skills training. If you are tall enough, you could possibly be a high fashion model. If not consider becoming a character model.

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Can a modelling career lead to an acting career?

Yes, many well-known actors and actresses began their careers as models. But if its actor you wish to be, then you should seriously consider going to Drama School.

How can I get in a magazine?

Keep your eyes open for photographic by-lines and editorial listings of photographers in any magazine then contact them. Ask which agencies they use.

How fast can an agency find me a job?

Please don't get the idea that the moment you join an agency all your problems will be over. Don't expect the agency to call you weekly; unfortunately, it doesn't always work that way. You don't get "sent out" for every job. You still have to audition like everybody else, and you still have to go around and show your face to clients so they will know who you are, and you become familiar "face".

How can I find catwalk work?

If you have an agent, ask for a list of department stores and independent live production coordinators. If you don't have an agent, look in the phone book; ask other models if they will give you contacts, and if you can use their names when making contact. Keep an eye on clubs, Hair-salons, restaurants, clothing boutiques, fashion schools, etc., because they put shows together and often look for models to work for them.

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Who conducts an audition?

You may audition for one person or a quite a few, but it is usually the Director or Casting Director who has the final vote as to who is to be used. What is a Casting Director?

Castings directors are normally independent and are employed to find the right actors/models to show to the director, producers, and clients. What is the difference between an Agent and a Casting Director?

An Agent does not have the authority to cast a model/actor for a particular role, but a Casting Director does. An agent takes normally takes a percentage of your income as a commission hereas Casting Director do not, they are paid directly by producers or clients.

What should I do when they ask me, "What have you done?"

Be aware they will ask you questions; have something prepared. Don't lie; try to talk about professional work; do not mention Walk-on's or Background work on commercials at a commercial casting.

What if I have little or no experience?

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What you have actually done recently is not as important; it's just to see how you present yourself on Camera.

How can I get acting experience?For acting experience look out for student films etc. These can give you excellent experience; irectors always remember when they had to find the actors, when they were training.

How can I find out if I was selected?

If you get the casting, your agent will call you; if you were not selected, they don't normally contact you. It usually does not help to find out why you may have unsuccessful; its just part of the business.

What roles should I audition for?

You should audition at every chance you get, and for any role that is available to you. By approaching auditioning this way you will get more experience, and you will have more to put in your CV, you'll be making more money! Don't be picky; just work!

Why should I send a picture and CV rather than go in person? A good mail out can create a desire on the part of the agent, casting director, etc. To see you in person.

What should I wear to an audition?

Wear whatever is appropriate for the role for which you are auditioning.

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DEFINITIONS:

The following terms are used frequently in the business. Be sure you are familiar with their meanings and are comfortable using them in conversation.

Featured Artist:

When an agency or casting director calls you for a job for a featured part. You will appear in a lose-up shot on camera; either speak a line(s) of dialogue; or be identifiable and in the foreground and identified with the product. The artist should be essential to the story line of the commercial.

Walk-On Artists:

You could appear in a close-up shot on camera, but you are not essential to the story line of the commercial. This means if you are cut from the commercial the story line would not be affected.

Extras:

These parts are hired without an audition. You will not be identified and involved with the product in any way. You're just set dressing.

Contracts for commercials:

The advertisers have a right, under union contracts, to demand that you do not perform in any other ommercial advertising campaign for a conflicting product under the duration of their current contract Exclusivity applies only to featured artists and identifiable voice-overs. Never to Walk-on's, Extras, and unidentifiable voice-overs.

Commercials produced for cable only, seasonal commercials, test-market commercials, and non-air commercials either require non-exclusivity or are negotiable. This is because of their limited run and limited audience.

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RULES OF THE TRADE:

You need a great amount of patience to get established in this business. The beginning of a modelling/acting career can be very frustrating unless you are among the small number of lucky individuals who are scooped up with overnight success! Be prepared for some hard work in the beginning. Prima Donnas with short fuses and bad tempers are left out in the cold in this business. Pushy parents, too, can be detrimental.

Relax, if you can. Enjoy meeting and working with others. Take direction from the professionals. If you can successfully deal with rejection and not give up, you'll go far in modelling!

Rules:
Always be on time. PLEASE try to arrive at least 5 minutes early for all auditions, at least 30 minutes early for fashion shows; 15 minutes early for photo sessions.

Go alone. No friends/boyfriends or girlfriends; and only bring your parents or chaperone if you are under age.

Auditions do not happen at night, be aware of this; if you have a late audition do take someone with you.

Nudity should always be discussed with you before you attend an audition or Job. Never put yourself in danger. If you're unsure take someone with you.

No smoking, drinking or eating in the studio while on Job. (this includes Alcohol and drugs).

Never sit while modelling client's clothing. Follow directions explicitly, unless you're asked to model in poor taste. Never put yourself in physical danger.

No scented deodorant or perfumes/cologne when on a booking.

Always wear under-arm shields when on assignment.

Use a cosmetic hood, or scarf over the head and face during clothing changes.

Should a garment become soiled or damaged, report it immediately.

Always hang each garment back on the hanger with zippers zipped and buttons buttoned.

Be professional; do not comment about the clothing you've been asked to model. Do not socialize too much.

Clean up after yourself before leaving. Always ask before using anything that does not belong to you.

Take a something to read along to pass the time while waiting.

Do not chew chewing gum in the studio or on at a Casting.

Do not discuss fees with the client while on the job. All negotiations should be completed before the assignment. All negotiations should be done with your agent.

Know what your fees are before going on Job.

Do not leave a booking, even if something unusual occurs.

Lunch breaks should be discussed with the client (or agency) before you report for the job.

Look perfectly neat and clean at all times.

The model must call their agency after every booking. A model who is not available for bookings, must book out with their agency

If you choose work through an agency never call a client or studio directly about work.

Models and actors and their parents should never discuss castings, jobs or earnings with other models or actors.

Never give your home address or phone number to anyone. Without first asking your agent.

When working with an agency, make your business visits brief. Avoid the temptation to linger to socialize with other models.

Agency phones are not for private use.

When calling clients (or an agency if you use one) routinely identify yourself and state your reason for calling. . Never apologize for lack of experience, your physical appearance, etc.

Never argue with the client.

A model not showing for a booking or who is late for a booking, will not only lose the hourly rate, but may also have to pay for the time of the other models who have had to wait. they may also be liable for the day's full production costs.

Not showing up for a job could include liability for all travel, flight and any hotel costs, plus the fees incurred by the client, photographers, stylist, and other models, etc.

Once the commitment to modelling or acting is made, it helps to develop a measure of patience. It takes a while to become established and although you are ready to be discovered, the world must first find out who you are!

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